The biggest irony is in the casting and in the fact that the movie about a nativist champion has been made in Hindi as well as in Marathi.
Nawazuddin Siddiqui from Uttar Pradesh plays Thackeray, Amrita Rao with roots in North Karnataka his wife Meena, and a host of non-Maharashtrians speakers fills the credits. When Thackeray began his satirical weekly Marmik in the 1960s, he would publish lists of “outsiders” who were allegedly flooding Mumbai and denying Marathi-speaking natives employment. As the credits roll at the end of Thackeray, it is clear that this movie could not have been made without the help of these accursed outsiders, just like Mumbai could not have flourished without its migrants. Subtlety, or, for that matter, reason, are hardly to be expected from Thackeray, a 139-minute propaganda video for the Shiv Sena as it gears up for the Lok Sabha election later this year. The project has been produced by Shiv Sena Member of Parliament Sanjay Raut, and is an audio-visual extension of the Sena’s official newspaper Saamna, of which Raut is executive editor.Ībhijit Panse’s feature-length screed is set between the between the late 1960s and the mid-’90s, and covers every aspect of the Right-wing party’s foundational values. The list is short: Maharashtra belongs to Marathi speakers.
Violence is an acceptable – and indeed the best – mode of protest.
Dada kondke movie list free#ĭemocracy is overrated, and autocracy is a fine thing.Īs Thackeray graduates from Free Press Journal cartoonist to state-level rabble rouser, he leaves behind a trail of violence, one that fundamentally reshaped the city then known as Bombay but is presented here as a necessary consequence of the alleged discrimination against Marathi speakers. The film is divided into chapters, and the one on the formation of Shiv Sena in 1966 is titled “Sunrise”. In the process of exploring the rise of the demagogue, the film makes his thuggery and rank bigotry seem normal.